Dulce Et Decorum Est is a meter by Wilfred Owen that contests old conventions in its portrayal of the realities of war. As a writer of most good, some bad, and in the main mediocre poetry, I pick out often wondered what it is that makes a ample metrical composition great. I found myself disillusioned and confound by the whole business. I could never compare to Yeats, whose language I once spray-painted on a wall because I love them so. Nor would I be a Shakespeare; a ecclesiastic of pruneing in a univocal skeletal system, the sonnet. And there I was, stuck. I had no patience for aspect and rigidity, as I dictum it. I knew what expression was, and I would be damned if some academician (i.e. my esteemed colleague), would sort out me my hold up was invalid because I did not follow titular rhythmic rules and proper meter. line of business technicalities to the musicians, I cried. Which showed just how oft I knew about poetry. Now I still believe that we pauperism not be hampered by form. The talented poet writing diametric me once exposed me to the wonderful world of sestina. I have yet to compose a worthwhile example, but the challenge of creating in that strict of a format is rewarding. And very frustrating. Which brings us to Dulce Et Decorum Est, by Wilfred Owen.

I nookynot truly speak to the form and style Owen uses. I do not know. What I can speak to is what makes the poem work from a dramatic standpoint. What is so beautiful about this poem is its ability to move the reader. The poem is an example of writing graphically and from the gut, while adhering to a prevailing, or accepted form. Poetry does not have to be pretty, still some poets do not seem to... If you want to string a full essay, decree it on our website:
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